Select Main Body Text
:::

HILL&HOUR

Department of Interior Design, Chung Yuan Christian University

形象圖

四點設計 Contact to HILL&HOUR for cooperation

500

“HILL&HOUR” is an architectural experiment about perceiving time.
In contemporary life, where rhythms are highly compressed and the sense of time has become increasingly flattened, we design a series of fields shaped by nature and space. Walking, pausing, light and shadow, humidity, and sound become ways of seeing time again.
People no longer pass through space in haste, but slow down within the mist, linger in the sound of rain, and reflect within the light.
Time is no longer merely the measure of a clock, but a sequence of moments that can be experienced.
Here, people and time meet again.

The Main Pavilion entrance uses low stone masses and shifting light to guide one into an inward state of perception. The sunken corridor of the Main Pavilion uses compressed space, mist, and filtered light to immerse movement within the mountain and time.
The Mountain Viewing Lounge of the Main Pavilion uses framed horizons and reflective water to create a quiet dialogue with the mountain.
The public hot spring frames mountain views through large openings, where mist, water, and light dissolve boundaries into a tranquil bathing experience.
The Yoga Pavilion uses horizontal forms, mist, and water to create a meditative space aligned with the mountain landscape. The standalone villa connects living and dining spaces through an open layout, drawing in mist and mountain views to create a calm and private retreat.

it/IT

Department of Interaction Design, National Taipei University of Technology, Taipei Tech

This project explores bodily autonomy and the fragmentation of subjectivity. By separating perception and action from a unified body, the work presents mechanical parts as independent entities, questioning whether a subject can still exist after the body is divided. Through cameras and sensing systems, the installation captures visitors’ gestures and movement data. Artificial intelligence analyzes highly repeated gesture patterns, learns from them, and generates mechanical feedback such as delay, deviation, or imitation. These unsynchronized responses blur the relationship between control and reaction, making viewers question whether they are controlling the machine, or being observed and answered by another form of agency. Combining interaction design, mechanical installation, artificial intelligence, and immersive exhibition, the work creates an experimental space between body, machine, and intelligent system.

back to top