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chill track

Department of Commercial Design and Management, National Taipei University of Business

形象圖

四點設計 Contact to chill track for cooperation

500

In recent years, college students have increasingly experienced anxiety due to pressures from academics, interpersonal relationships, and future career planning. However, many find it difficult to clearly express their emotional states through language, which creates barriers in emotional organization and communication. Therefore, “chill track” is developed based on the theme of university students’ anxiety. It uses “stations and tracks” to symbolize life issues and thought processes, integrating visual expression, hands-on interaction, and process recording to create a psychological support tool for emotional expression and dialogue. By externalizing emotions and allowing different choices and arrangements, the design encourages users to engage in emotional awareness, thought organization, and strategic reflection, enabling emotions to be expressed and understood more effectively.

The transparency and colors created with epoxy resin have a healing effect. Six emotional stations correspond to common sources of anxiety. Tracks represent thought processes and choices, forming visible pathways. Soft gradient packaging design supports emotional exploration. Instruction sheet shows guidance on front; back records reflection process. The manual uses visual-text layout to guide users.

Blooming Muzha

Bachelor Program in Digtal Marketing Design, Ming Chi University of Technology

Inspired by the seasonal floral landscapes of Muzha, this project connects local identity with floral imagery through the lens of "flowers blooming everywhere," revealing the subtle beauty that exists within daily life. Through visual translation, the work reinterprets local landscape, culture, and cuisine, constructing a systematic and highly recognizable iconographic guide. Furthermore, the project extends into the brand "Blooming Muzha," utilizing pattern design as a medium to apply these visual languages to textiles such as square scarves, socks, and canvas bags. By transitioning from graphic media to everyday life, the project achieves a fusion of cultural translation and commercialization, creating a tangible local narrative that can be felt and used.

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