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it/IT

Department of Interaction Design, National Taipei University of Technology, Taipei Tech

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This project explores bodily autonomy and the fragmentation of subjectivity. By separating perception and action from a unified body, the work presents mechanical parts as independent entities, questioning whether a subject can still exist after the body is divided.

Through cameras and sensing systems, the installation captures visitors’ gestures and movement data. Artificial intelligence analyzes highly repeated gesture patterns, learns from them, and generates mechanical feedback such as delay, deviation, or imitation. These unsynchronized responses blur the relationship between control and reaction, making viewers question whether they are controlling the machine, or being observed and answered by another form of agency.

Combining interaction design, mechanical installation, artificial intelligence, and immersive exhibition, the work creates an experimental space between body, machine, and intelligent system.

The viewer interacts with mechanical eyes and a robotic hand through sensing feedback. The viewer triggers delayed responses from the robotic hand through gestures. The mechanical eyes sense, observe, and respond to the viewer. Mechanical eyes and a robotic hand reveal the separation of perception and action.

Fragments of Sand

Department of Digital Media Design, Ming Chuan University

Through a wandering bard’s interlocking fables, this work depicts a fantasy kingdom bound by memory and fate. As a seamstress fails to twist memories and a prince turns tyrant, a realization emerges within the crumbling truth: though destiny may be unyielding, one can still choose how to face it.

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